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Tag: design


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Day at the Printshop: Vol. 1 — The tactile advantages of embossing.

There’s noth­ing like a nice piece of print. For a designer, a trip to the printer can be a mag­i­cal jour­ney, where weeks, months or even years of work finally make the tran­si­tion from screen to hand. Often, these “press checks” are for qual­ity con­trol pur­poses – one last chance to make sure the col­ors on your design look cor­rect, lay­outs are still in order and the paper is just what you had in mind. For us, these trips are manda­tory, as there’s noth­ing worse than hav­ing 10,000 busi­ness cards with the wrong shade of blue show up on your doorstep (and your books.)

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Tac­tic designs Exact­Tar­get IPO materials — A look at our graphic design on Wall Street.

As an Indi­anapo­lis brand­ing firm, it was a plea­sure to help our client (and neigh­bor) pro­mote their pub­lic stock offer­ing. To sup­port ExactTarget’s impor­tant day, our design team cre­ated the sig­nage, ani­mated video, and podium graph­ics for the New York Stock Exchange (NYSE) event.

From the Wall Street sub­way sign, to the 60′ exter­nal NYSE build­ing facade, the design was rooted in sim­plic­ity. Our goal was to exe­cute a clean and pre­cise mes­sage, all while stay­ing within the Exact­Tar­get brand guidelines.

Please join us in con­grat­u­lat­ing Exact­Tar­get on this impor­tant milestone!

NYSE exte­rior sig­nage


NYSE podium graph­ics


Exte­rior sig­nage instal­la­tion


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When is The Right Time to Rebrand? — Knowing when to rebrand isn't exact. Here are five common factors to consider.

As dis­cussed in today’s Inside Indi­ana Busi­ness guest edi­to­r­ial piece, rebrand­ing isn’t a new con­cept. In fact, mar­keters will tune in this month for the lat­est sea­son of Mad Men, a tele­vi­sion series that depicts brand­ing dilem­mas of the six­ties. Times have changed, but the impor­tance of mon­i­tor­ing “the brand” has not. So, how do keep your brand rel­e­vant? And, how do you know if it’s time to rebrand?

Know­ing when to refresh your brand isn’t an exact sci­ence. How­ever, there are a hand­ful of fac­tors to guide your rebrand­ing deci­sion. Let’s take a closer look at five com­mon cat­a­lysts for a new brand.

1. Chang­ing of the guard
Brands are com­monly linked to a company’s leader, par­tic­u­larly in pri­vately held orga­ni­za­tions where the brand embod­ies a founder’s per­son­al­ity. This is mag­ni­fied with the rise in Baby Boomers fac­ing suc­ces­sion plan­ning. This gen­er­a­tional shift is usu­ally about more than the brand; it also affects change in oper­a­tions, human resources and tech­nol­ogy. A new iden­tity is one way to accom­mo­date the transition.

2. Spring clean­ing
What can we learn from the world’s largest brands? For starters, the likes of Star­bucks, JC Pen­ney and the Asso­ci­ated Press seize oppor­tu­ni­ties to refresh their iden­tity. Regard­less of com­pany size, it’s chal­leng­ing to stay con­tem­po­rary and fresh. Admit­tedly, this can be an objec­tive exer­cise; there’s no rule for how long a brand remains cur­rent. When a com­plete rebrand is imprac­ti­cal, a com­mon tac­tic is to “up-brand” or refresh the company’s iden­tity. Reju­ve­nat­ing the basic ele­ments — such as col­ors, type­face, or logo treat­ment – can honor your past and embrace the future.

3. M&A activ­i­ties
There’s a local uptick in con­sol­i­da­tion activ­i­ties (most notably in bank­ing and pro­fes­sional ser­vices). When two become one, what hap­pens to the legacy brands? It’s an easy answer when the acquirer’s brand gen­er­ally lives to fight another day. How­ever, an acqui­si­tion often marks the time to eval­u­ate any over­laps in audi­ences, prod­uct set, or geog­ra­phy. Merg­ers are a dif­fer­ent ani­mal; they can pre­cip­i­tate an entirely new brand, or at min­i­mum, a “touch up” to the mes­sage and visual identity.

4. Search­ing for rel­e­vance
Things change … includ­ing your cus­tomers. As con­sumer behav­ior evolves, so should your brand. With an ever-expanding choice for your audi­ence, it’s para­mount to stay rel­e­vant. Today’s speed of busi­ness breeds changes in the very things that are impor­tant to a tar­get audi­ence (e.g., tech­nol­ogy, pric­ing, con­ve­nience fac­tor, etc.). A proac­tive, new brand is more effi­cient than fight­ing for client reten­tion once your audi­ence has switched.

5. It’s not you. It’s me.
“Repo­si­tion­ing” a brand is more than aca­d­e­mic the­ory. As a com­pany grows, its brand can change and stand for some­thing dif­fer­ent from its hum­ble begin­nings. Brands advance to reach new audi­ences; the chal­lenge is to intro­duce a posi­tion that res­onates and con­nects with them. As a com­pany grows in sophis­ti­ca­tion, the ini­tial home­grown iden­tity can become a liability.

In sum­mary, your brand is an asset that should work for you. When your orga­ni­za­tion is fac­ing change, rebrand­ing isn’t a deci­sion to take lightly. After all, the only thing more expen­sive than a rebrand is an unnec­es­sary rebrand. Embrac­ing change and rec­og­niz­ing the need to evolve is the first step. From there, build­ing a last­ing brand requires a com­mit­ment to your cul­ture, clients and bot­tom line.

 

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Mar­ian Bantjes — A look at the designer's personal touch to custom cards.

While most peo­ple use Christ­mas as a time to reach out to fam­ily and friends through card-sending, Mar­ian Ban­t­jes, famous designer and illus­tra­tor, waits a few months until Valentine’s Day, instead. And, she doesn’t just send out ordi­nary, store-bought cards. Over the past eight years, Ban­t­jes’ valen­tines have included laser-cutting, hand-lettering, recy­cling of old cards, and even draw­ing an indi­vid­ual valen­tine for every one of the 150 peo­ple on her list. It is her beau­ti­ful, care­ful and per­sonal atten­tion to detail that has led her to such remark­able suc­cess in brand­ing and design.

This year, inspired by the travel she fre­quently does, Ban­t­jes repur­posed old post­cards sent from from around the world as the can­vas for her valen­tines. The post­cards dated from 1901 to about 1990, and some of them had even been sent before, evi­denced by the hand­writ­ten mes­sages on the back. To add a per­sonal touch, her mes­sage, “From me wher­ever I am/To you wher­ever you are,” was printed in sil­ver over each one. You can see more of this year’s cards here.

While Ban­t­jes’ cus­tom cards require a lot of time and effort to send out (her valen­tines list has grown close to 480 peo­ple), it is a nice ges­ture that we can eas­ily use on a smaller scale. Some­times, just a sim­ple and per­son­al­ized detail can make all the difference.

For more inspi­ra­tion, you can see her valen­tines from other years, here: 2005200620072008200920102011

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Pan­tone Declares 2012 Color of the Year — Graphic designers take notice of Pantone's 2012 color of the year winner!

With every New Year comes a new set of trends to look for­ward to, and 2012 is no dif­fer­ent. As 2011 came to an end, Pan­tone announced Tan­ger­ine Tango as its color of the year for 2012. Accord­ing to Pan­tone, Tan­ger­ine Tango — a reddish-orange color, pro­vides an “energy boost we need to recharge and move for­ward.” Look­ing back over the past few years, sim­i­lar ener­giz­ing and spir­ited col­ors have been cho­sen as col­ors of the year, includ­ing Hon­ey­suckle (2011), Turquoise (2010), and Mimosa (2009).

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Brand­ing a Company — Why trust matters in the branding process.

This month marks another anniver­sary for Tac­tic. As a sea­soned brand­ing firm, we enjoy look­ing back at our body of work. It’s reward­ing to revisit the projects that pro­duced results and impact for our clients. Dig­ging a bit deeper, it’s no coin­ci­dence that our best work occurs for our best clients.

So, the obvi­ous ques­tion is, what makes a “best” client?

In a word: trust. It’s the com­mon denom­i­na­tor in our most effec­tive work. Whether it’s devel­op­ing a cor­po­rate iden­tity or a brand­ing cam­paign, redesign­ing a web­site or cor­po­rate brand, our level of work is ele­vated when we’re used as experts (and not as vendors).

Let me explain. Com­pa­nies come to us because they’re famil­iar with our work. They’ve seen our prod­uct and hope to attain the same level of suc­cess with their brand. How­ever, what’s not seen in a port­fo­lio is the under­ly­ing rela­tion­ship within a project. Iron­i­cally, it’s the client’s involve­ment, atti­tude, and approach that dic­tate success.

In our expe­ri­ence, there are five key dri­vers to a suc­cess­ful brand­ing relationship.

Exper­tise — The real­ity is that we’re hired to do some­thing that a client either can’t or doesn’t want to do. This exper­tise shouldn’t be for­got­ten in the process. After all, you (hope­fully) wouldn’t visit a restau­rant and instruct the chef on how to pre­pare their specialty.

Committee-free — Rebrand­ing is a crit­i­cal ini­tia­tive that’s tempt­ing to involve mul­ti­ple lev­els and depart­ments. Feed­back is great (we need it through­out the process), but “designing-by-committee” will water down the prod­uct, cre­ate inef­fi­ciency and delay influ­en­tial work.

Design, not dec­o­rate — Hav­ing a “good eye” or “great taste” is com­mended. Yet, nei­ther qual­i­fies some­one to brand a com­pany, select pho­tog­ra­phy or rec­om­mend typo­graphic elements.

Cus­tomers mat­ter — Rebrand­ing is designed to con­nect with a buy­ing audi­ence; why not take their side? Key brand­ing deci­sions often hinge on inter­nal (and not cus­tomer) pref­er­ences. The process should con­tin­u­ously remind the team why (and for who) a com­pany is rebranding.

Race for sec­ond — Under­stand­ing the com­pet­i­tive land­scape is nec­es­sary; want­ing to repli­cate their every move is not. Instead of direct­ing an agency to “be more like” a com­pet­ing com­pany, a client com­pany should trust the exper­tise an agency has gained from other indus­tries and trends. This knowl­edge and expe­ri­ence can make a com­pany a fore­run­ner in their space.

Trust is a long-standing con­cept in busi­ness. No mat­ter at which side of the table you’re sit­ting, the client-agency part­ner­ship is a key tenet of the brand­ing cam­paign. Effec­tive brand devel­op­ment is as much about the work­ing rela­tion­ship, as it is the cre­ative mus­cle behind the work.